Museum Research Paper


Assignment topic: Museum Research Paper
Format: Chicago
Number of pages: 2 pages / 550 words

please write a paper.
This assignment will involve you virtually visiting a local museum and selecting a work of art that you feel would be a great addition to our textbook. That means there is not already an artwork by that artist in the text.
 · The artwork that you select may be a painting, photograph, sculpture, illuminated manuscript, or vase. (No furniture, other decorative objects, stained glass windows, or book illustrations).
 · The artwork that you select from the museum must fit into one of the themes in Chapters 5-14 in our text, Exploring Art, Revised 5th edition.
· These are the approved museum websites to visit for this assignment:
 o Please only use these authorized sites and not Wikipedia or random Internet searches for your selections.
· Getty Museum:
 · Norton Simon Museum:
 · Broad Contemporary Museum: ·
 · Metropolitan Museum of Art:
III. After selecting an artwork from a museum that fits into one of the themes in the text, you will then select an artwork from the text with the SAME THEME, but from a DIFFERENT culture and historical period for comparison.
 EXAMPLE 1: Portrait of a Halberdier by Pontormo, 1530, an Italian Mannerist painting from the Getty Center Museum compared to Study for the Portrait of Okahura Tenshin by 20th c. painter Shimomura Kanzan, 1922. The theme for both of these works of art is the portrait, yet they are from different cultures and time periods.
 EXAMPLE 2: The Birth of John the Baptist by Murillo, 1655, a Spanish Baroque painting from the Norton Simon Museum compared to Seated Buddha, 5thc. from India in the text. Both have the theme of religion yet are from different cultures and time periods.
 NOTE: Do not copy my examples; there are plenty out there.
 IV. The final paper should be minimum 1000 words (not including title page & bibliography), typed, double-spaced, 12 pt. font, free of all spelling and grammatical errors, no plagiarism, with a clear, well-supported thesis. All papers must in word.doc (or .docx) format.
 a. The paper should have an introduction, supporting paragraphs, and a conclusion.
 b. The bibliography and in-text citation formatting should follow the Turabian Quick Guide to the Chicago Manual of Style only and this is required.
 1. Your bibliography must have minimum 4 sources with one being your textbook.
 o One can be the museum website.
 o The other 2 must be scholarly articles found in the Oviatt library databases


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ART 315: Museum Research Paper

In my research paper, I will use a near visual examination of Pablo Picasso’s 1903 Breakfast of a Blind Man. This artwork is housed in the Metropolitan Museum of Art. This art is from the twentieth century representing a theme of food. I will talk about the painting’s historical significance as well as why I think it’d be a good addition to our text. I will also provide a comparison with another artwork with the image of food from our textbook. In the text, I’ll compare my museum artwork to Jan Davidsz De Heem’s Baroque time period still-life piece titled A Table of Desserts, which has the same theme of food and shelter but is from a somewhat different, more aristocratic community from the mid-17th century (1640).

For my research, I visited This museum website consists of numerous works of art done by remarkable artists. I had a terrific experience as I browsed through all the compositions present in the museum website. After a lot of perusing, I finally chose the painting, ‘The Blind Man’s Meal’ also known as Breakfast of a Blind Man. This painting was composed by Pablo Picasso in 1903. It measures 95.3 x 94.6 cm on conventional oil on canvas and is housed in the Metropolitan Museum of Art. Food is the theme of the artwork I chose from the museum. This painting was created during the earth’s twentieth century. Depending on the viewer’s attention, the style of Breakfast of a Blind Man can be represented as expressionism or symbolism. This dissertation is a fascinating modern restatement of the Christian sacrament—the rite of taking bread and wine to invoke Christ’s flesh and blood. The composition’s strength comes from its sparse setting and limited palette, which are lit with El Greco’s mystical glow. Picasso described his painting in a letter he wrote to his friend Max Jacob, the French poet. In the letter, Picasso described that he was working on a drawing of a blind man at a table holding a piece of bread in his left hand and reaching for a jug of wine with his right hand. The still life on the table is completed by an empty bowl and a white napkin. His disenfranchised state is made all the more poignant by his subtly contorted figure, long slender El Greco-like hands, unadorned surroundings, and blindness. The figure stands out against the austere backdrop thanks to the highlights on his face and neck, hands, bread, and napkin. This painting would make a great addition to our textbook as it is more than just a blind man’s portrait. Picasso uses this portrait to demonstrate human suffering in general and also shows that he identifies with the less fortunate in the society. Therefore, I strongly believe that the painting should be included in our textbook.

In comparison, the painting, A Table of Desserts, 1640 by Jan Davidsz de Heem can be found in chapter five of our textbook. The work is 149cm x 203cm in size. Through the glamorous depiction of food, this Baroque period oil painting of luxury food reflects cultural and religious values of the time, which was an artistic experience for those with sophisticated tastes. Via tipping trays and half-eaten food, it also portrays vanitas, alluding to the fact that earthly things and humans are not eternal. This makes it a good comparison to Breakfast of a Blind Man. The two paintings are similar in that they both portray the theme of food. However, the high-class, ample, yet forgotten food depicted in de Heem’s A Table of Desserts contrasts perfectly with the poor, mentally exhausted subject depicted in Picasso’s Breakfast of a Blind Man, who has nothing but what appears to be a stale piece of bread. Color and shading are both important markers of prosperity, or lack thereof, as seen in many different artists’ techniques and approaches to their respective works.

Bibliography “Picasso – Breakfast of a Blind Man 1903, Painted in Barcelona in the Autumn of 1903, Summarizes the Stylistic Characteristics of Picasso’s Blue Period –”

Pablo Picasso Biography and All Paintings in High Definition. Accessed May 10, 2021.

“The Blind Man’s Meal.” THE METROPOLITAN MUSEUM OF ART. Accessed May 10, 2021.

Kren, Emil, and Daniel Marx. “A Table of Desserts by HEEM, Jan Davidsz. De.” Web Gallery of Art, Searchable Fine Arts Image Database. Accessed May 10, 2021.

“Sutori.” Sutori. Accessed May 10, 2021.

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